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Paul Kilbey

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Paul is a freelance classical music writer and editor who lives in Germany. Read more about him on http://paulkilbey.co.uk/.
Sunday, September 13, 1840 was Clara Schumann’s 21st birthday, but it was the preceding day that she described in her diary as the “most beautiful and most important” of her life. In fact, given how much had already happened in Clara’s life, she must have felt like an adult well before that birthday. The “most beautiful” event was, of course, her marriage to Robert...
“You see: they don’t need me. They do perfectly well by themselves,” says Leonard Bernstein, as he strolls away from an orchestra that blithely continues to play Brahms’s First Symphony. So begins one of his legendary Omnibus episodes, entitled “The Art of Conducting,” in which he provides a (so to speak) unbeatably clear guide to the practicalities of conducting an orchestra, from how to read a score to how to beat in time. So, then. Why does the orchestra need him, when they can apparently get by—even in a large-scale work like the Brahms—on their own?
Despite what a certain well-known film would have us believe, the composer Antonio Salieri did not plot to assassinate Wolfgang Amadeus Mozart. The brilliant film (and play) Amadeus took, let’s say, a few liberties with the historical truth. But surprisingly, it is true that Salieri was responsible—albeit indirectly—for making Mozart’s workload significantly more complicated in the chaotic final year of his life.
“I’ve got rather large hands, and everybody tells me… you should be a cellist, you should be a bass player, you should be a pianist—anything but a violinist!”—Itzhak Perlman
Humphrey Burton’s brilliant biography of America’s most famous musician begins with a quotation from Samuel that sums up Leonard’s childhood: “How could I know my son was going to grow up to be Leonard Bernstein?” he said.
“Nick appears immediately at the garden gate.” A simple enough statement, you might think. But for an opera director, maybe not...
Classical music has such a long, storied history, that it can be difficult to know where to start. Each week, we’ll be exploring an important event that left its mark. This week? The disastrous 1876 premiere of one of opera's most icon works: Wagner's Ring Cycle... 142 years on, it...
London in 1895 was gradually starting to take its modern form. Its famous skyline, long dominated by St Paul’s Cathedral, had gained two landmarks in the 1870s and Tower Bridge had been completed the previous year. 1895 was Queen Victoria’s 58th year on the throne, and it was also the year of Oscar Wilde’s imprisonment for “gross indecency:” this wasn’t yet the London of today. But one festival began that year that is still going strong.